Courage in Patience by Author Beth Fehlbaum

Beth Fehlbaum, an experienced English teacher, drew on her experiences as a teacher and as a survivor of childhood sexual abuse to craft the fictional story of a teen girl's first foray into recovery from sexual abuse. She wrote Courage in Patience to give hope to anyone who has to face their greatest fears and find out what they're made of.


Chapter One, Courage in Patience

CHAPTER ONE
We go on—because it is the hard thing to do.
And we owe ourselves the difficulty.
---Nikki Giovanni
My name is Ashley Asher. That’s right, go ahead, and laugh. Apparently, my parents thought it would be “cute” to make my first and last names nearly identical. My family and friends call me Ash. My mother calls me by my first and middle names, Ashley Nicole. Her husband, Charlie, thought he was real clever and called me Ash-Hole.
I’m fifteen years old, and I live in Patience, Texas, an East Texas town of about 3,000 people. In my wildest dreams, I never thought I would end up going to a school where the unofficial year-round footwear is flip-flops, and people pronounce the word cold like this: code.
Sometimes I think I miss living in a place where there are things to do on Friday nights besides cruise the aisles of the Wal-Mart in Six Shooter City (yes, that's the name of a real place), or see one of the two movies showing in Cedar Points. There’s even less to do in Patience, although pasture parties, where a bunch of underage, redneck, high-school kids bring illegally obtained beer to somebody’s pasture and see how shit-faced and stupid they can get before they run out of beer, are a common occurrence.
If I’m going to be completely honest, though, I'd have to say that I've been alone for so much of my life, I wouldn't know what to do if I suddenly had a social life. I’m a quiet person who loves to read and write more than anything in the world. There’s just something special about falling into worlds created by other people. I spent a lot of time pretending that I was somewhere else when I was still living at home, I mean with my mom, and I think that helps me write stories, too.
My dad. Sounds so funny coming from my mouth, because I never knew him until last summer. He and my mom split up when I was three months old and, except for child support checks and sporadic birthday cards, I never heard from him.
The way my mom tells it, my dad was always a loser, which leads to a natural question: why would she sleep with him if she knew that? He was one year ahead of her in school, but they may as well have lived on different planets. She was a cheerleader, honor student, daughter of a doctor and accountant, and ran with the popular kids.
He didn’t know his bio father, but he had a succession of stepfathers through his life. My mother, the Queen of Bad Decisions, says my dad's mom had terrible taste in men. I guess she would know about such things.
Dad excelled in auto mechanics, computer science, getting wasted on weekends, and talking girls into doing his English homework. Mom used to tell me that he had this way of charming a girl to get what he wanted, whether it was an essay on A Tale of Two Cities or her panties ending up on the floor. Since my dad never knew his father, his older brother, Frank, was always more like a father to my dad than a brother. Frank is ten years older than Dad, but he seems a lot older than that.
There is only one picture of my father and mother together, and it is from his senior prom. He is tall, dark, and gangly in his navy tux. His dark brown hair is puffy, and he's wearing aviator-frame eyeglasses. Mom is over a foot shorter than Dad, although her highlighted, permed hair is a good eight inches high. Otherwise, standing next to him she is tiny. Even though the picture was taken from at least ten feet away, her eye shadow is a frosty silver that makes her green eyes gleam. Her face is rounder than it is now, and she looks like she has been laughing, smiling in a way that I never saw very often. As much as she hates my dad, she used to say that he could always make her laugh. Must be part of his charm.
Her dress is snow-white satin, off the shoulder, and she tells me she tanned for weeks so she would look really brown in contrast to the stark white of her gown. Looking like a bride must have done something to her judgment, because they treated prom night as if it was their honeymoon, and, surprise! I was conceived. Mom’s parents, Nanny and Papaw, were horrified—not only because she got knocked up, but at the type of guy who did the knocking up. My dad never has fit in with the country club set. Papaw, an OB-GYN, set up my mom with a friend of his to give her an abortion.
When Mom told Dad what Papaw had arranged, my dad hit the ceiling and said that nobody was gonna kill his kid. He talked my mom into running off with him, and a preacher married them in Patience, Texas, where Uncle Frank lived on land that has been in their family for generations. Sometimes I wonder if my mom wishes she had kept that appointment with Papaw’s friend.
They lived in a camping trailer behind Frank’s house while my mom attended her senior year at Patience High School, and my dad went to work as a mechanic in Frank’s shop. Mom says they fought all the time, because my dad had a terrible temper. He would fly into rages where he would only feel better after he had destroyed something, like when he threw their tiny black-and-white TV out the camper door into the mud then went after it with a sledgehammer. After he had his tantrum, he would go sit in the shop withFrank and drink until he thought my mom was asleep.
I was born in January of my mom’s senior year. School was out for Spring Break when Mom packed me and all her stuff up in the car my dad gave her for Christmas—a dented up, brown four-door Datsun. We headed back west on Highway 175 to La Salle, Texas, back to the two-story red-brick house in a fancy part of town that Mom grew up in. Back to a bedroom that, unlike her bunk in the trailer, was lacking in field mice nesting in her shoes and the snake that shed its skin around her hot rollers. Nanny and Papaw welcomed back Mom with open arms, praised her for her return to sanity and civilization, and donated her old Datsun to Goodwill before she'd been home for twenty-four hours.
My dad never came after her, never questioned her leaving. Papaw’s golf buddy, a divorce attorney, took care of all the paperwork to annul the marriage, which means that legally the marriage never took place, so I don’t know what that makes me. They sent the papers to Dad, and he signed off on everything, including paying support to the child born to their non-existent marriage.
Mom finished her high school studies through a correspondence program and attended community college, earning her medical assistant certification. Then she went to work in Papaw’s office, and we did okay for ourselves. She even bought a small house in an old neighborhood in the center of La Salle, and my days there were carefree. When we got home in the afternoons, I’d go play outside, and my mom hired teenagers to watch me during the summer, so I had the Kool-Aid commercial-type summer, where kids play outside all day then come in at night when the streetlights come on.
My life changed forever on the night my mom met Charlie Baker. Nobody in Mom’s Third Thursday Bunco group thought he’d ever go for someone like her—no longer high school cute, a little overweight with a big caboose, and saddled with a kid. Mom’s friend Neshia was dating a guy who worked highway construction. His friend Charlie had just been transferred in from West Texas. Charlie was six feet tall, with a very short haircut and a shy, closed-mouth smile. He has six-pack abs in one of the pictures I have seen of him from that time. In it, he is wearing a red-and-white-striped Speedo, and he's posing like a model.
The guy in the peppermint stripes looked nothing like the Charlie I came to know: the pot-bellied alcoholic madman with wild auburn hair, almost clear gray eyes, and a shiny gold front tooth. Charlie’s appearance is off-putting to people who don’t know him. His long bushy hair seems to have a mind of its own, like Medusa’s hair of snakes. When Charlie is pissed, he radiates hatred, and it is scary. When Charlie chases you down with the intent to tackle you, it is downright terrifying.
The Bunco group held a singles night, and Charlie was there. I was there, too, playing waitress to the adults as they played the game and progressed from table to table. I was enjoying my job—I'd done it before—and I didn’t mind being the only child in attendance. Charlie paid a lot more attention to me than any of the other guests did, even my mom’s friends that I knew. I kept telling him that my name was Ashley, but he insisted on calling me “Kiddo.” It is a name I would come to hate.
The next night, Charlie took Mom and me to a carnival that was passing through town. I was riding the bumper cars, and when I got rammed from behind, I bit my tongue—hard. It stunned me, and I sat with my bloody tongue hanging out of my mouth, while other bumper cars zoomed around me. My mom called my name, but I could not focus enough to move. I was frozen. Out of the crowd, Charlie bounded across the floor, dodging bumper cars and looking for all he was worth like a super hero. He scooped me up out of the seat and dashed back to my mother with me.
“Gotta keep that tongue in your mouth when you drive bumper cars, Kiddo,” he said, winking, as he gently set me down. I felt like Lois Lane when Superman rescues her from being squished by a meteor. I'll bet there were actual stars in my eyes.
My mother and I were sold on him that night, but Charlie sealed the deal by bringing me toys and games every time he came over to our house. Four months later, in a ceremony held in Nanny and Papaw’s living room, my mother and Charlie were married. After years of being without a daddy, I finally had one.
Within a few months of the marriage, Charlie announced that he wanted to start his own construction business. He decided we needed to move to Baileyville, so he could land construction contracts easier than he was able to in LaSalle, which was overrun with the same sorts of start-up businesses. Nanny and Papaw were not happy about it, and neither was I. I loved my house, my neighborhood, and the only school I had ever known. I heard Nanny and Mom arguing about it on the phone, and Mom said, “Mother, I am married now, and my loyalty is to my husband. I am selling the house. We are moving, and that is final.”
We moved in the middle of the school year to a very small town and a ramshackle house out in the country. There were no other houses around ours, so I had no other kids to play with. When I got home from school each day, my only companions were the turkeys, geese, ducks, chickens, rabbits, and two stray dogs that wandered up and adopted us. My mom went to work for a podiatrist’s office in town as an assistant, and, irony of ironies, the only construction contracts Charlie could land were in Northside, right next door to LaSalle, so he went to work early and arrived home late most days. I got the feeling that things weren’t going too good. Mom asked Charlie about money all the time, and he didn’t like her questions one bit.
About the same time, my body decided it was time to start puberty, and my mother insisted on getting me a training bra. A true tomboy back in my old neighborhood, I hated the idea so much that I insisted on spelling the word, b-r-a, instead of coming out and saying it. It was hell, getting used to having straps around me and over my shoulders. On the inside, I kicked, screamed, and cursed Mother Nature for making me a girl.
To make matters worse, Baileyville has a long history of white-on-black racism, and most of the African-American students hated white people, whether they knew them or not. As if being white wasn't enough of a flashing neon sign that said, "Hit Me," I hit a growth spurt and got too tall for the clothes I had. There was no money to buy me new clothes. When my mom talked to Charlie about asking Nanny and Papaw to help us out so I could have some clothes, Charlie screamed at Mom, told her how stupid and fat she was, and said that if I wasn’t so fat, I would still be able to wear my clothes.
Who was this incredibly mean person? Where was the guy who risked life and limb to be my white knight on the bumper car ride?
My fourth grade school year, instead of dressing like an eight-year-old girl, I wore the fashion choices of a twenty-six-year-old woman. I had to wear my mom's clothes to school—and cowboy boots. The only shoes in our house that would fit my feet were some thrift store cowboy boots. Charlie said my feet were as big as beaver tails, like I could do anything about their size. He said that if my feet weren't so abnormally large, he'd buy me Adidas or Sketchers to wear, like the other kids had.
So here’s the deal: I am one of maybe ten white female students in an all-black elementary school. The black kids hate the white kids because for years and years, white people had treated black people like shit. My boobs have, against my will, burst upon the scene. I wear my mom's old lady clothes to school, and, in spite of its rural location, nobody, but nobody, wears cowboy boots to school. Oh, and my best friend is a rabbit named Cinnamon. Or she was. Until Charlie killed her.
I always had a creepy feeling when he got that look in his eyes and started breathing funny like he did when he was alone with me. Less than a year after they married, he gestured to me to sit on his lap. I did so, enjoying the idea of having a daddy like my friends did. I got so relaxed and content there, I dozed off. He started rubbing my brand-new breasts. I wasn’t actually all the way asleep, but it freaked me out so much that I pretended I was.
The next morning, a Saturday, my mother told me to go outside because Charlie wanted to talk to me. I approached him like I would come up on a King Cobra, full of dread and feeling like a tightly wound spring. His back was to me as he bent under the hood of our car, changing the oil.
"Mom told me to come out here. Said you want to talk to me," I spoke to the sky as I watched a black vulture circle over something dead.
Turning from the engine, he said, “Kiddo, slap my hands.” He paused as if waiting for my response.
"What? Why?" I played dumb, hoping that none of what happened in that chair had really happened. I was nine years old, and I already knew what he was doing was wrong.
"Last night … in the green chair …" Now it was his turn to stare somewhere else.
I tilted my head and, in a very high voice unlike my normal one, I said, "What chair? When?"
He smiled that closed-mouth smile from his "model" picture and said, “Never mind, Kiddo. You can go back inside now.”
My heart pounded in my ears as I walked away from him. The morning sun was blinding and felt hot on my hair.
Next time he patted his lap and smiled at me, I pretended I did not see him. When he grabbed my arm roughly and pulled me onto his lap, however, it was hard to fake being blind.
Not long after that, I walked out to the barn on a cool fall day to hang out with my friends, all of whom were covered in either feathers or fur. As I approached the rabbit cages in the barn, I saw Charlie facing the back corner of one of the stalls. He had killed a possum in that exact spot just a few days before. It had stood on its back legs, facing him full-on and hissing as it bared its mouthful of pointy teeth. He whacked it with a shovel and it either fell over dead or just looked like it was dead, "playing possum." Sort of like my faking being asleep.
"Is there another poss—" I began, and he turned to face me.His penis was hanging out of his pants.
"What do you think of it?" he asked me. His hands were on his hips, legs wide, reminding me of the way Superman stands—like the super hero I used to believe he was.
Never having seen a man's privates before, I told him what it looked like to me: a fire hose.
Charlie smiled widely and looked pleased. I turned around and walked back to the house, the mental picture of Charlie's pose playing over and over in my mind.
A month or so later, I caught pneumonia and was very sick. When my mother could not miss any more work to care for me, I began to stay home alone. Then Charlie started coming home in the middle of the day. It's not like his job was right down the street, either. We lived a good hour and a half away from Northside.
I heard the back door open when I was in the bathroom on the toilet. I pushed the door closed and locked it.
"Ashley?" he called. I remained silent. I could hear his voice getting closer.
"Ashley? Oh, I see. You're playing hide-and-seek with me, aren't you?" He kind of giggled.
"No, I'm going to the bathroom."
He jiggled the doorknob. "Why's the door locked?" I heard him walk away, come back, and then the doorknob was being taken apart. He stuck his fingers in the doorknob hole, opened the door, and stood watching me.
I didn't know what to do. Stay on the pot with my short nightgown pulled as far down over my legs as I could get it—only to realize that doing so exposed my breasts—or stand and pull my panties up and hope he wouldn't see my privates when I did so? He took a few steps back into the hallway, kind of like a cat playing with a mouse.
I tried to get away from him—I know that much—but the next thing I remember is crawling on the floor with my panties around my ankles, and feeling a sense of wonder at how weak and shaky my arms and legs were. I don't remember anything else. My memory is sometimes like a videotape that's been taped over too many times. There's the movie, there's the movie, there's the movie, then, oops! Pure static, a mess of lines, no picture. What happened there? It's anyone's guess.
Within a few days of whatever it was that happened, Charlie announced to my mother that because I never paid any attention to our rabbits, he was going to kill them all. And he expected her to cook them. I freaked out. Even though I did pay attention to the rabbits—I fed them every day, held them, and talked to them all the time—I felt so guilty that those rabbits were going to die because of me! And there was Cinnamon, who I actually did have a relationship with. Well, as much relationship as a nine-year-old girl can have with, let's face it, a rodent of sorts.
"Mom, do something!" I begged my mother as she stirred together a box of macaroni and cheese.
"I'm going to cook them, Ashley, but you don't have to eat any," she said, completely missing the big picture. I ran to the barn, determined to say the right thing to save my rabbits.
I tripped over a bucket when I heard the screech of a cage door being opened, and rounded the corner in time to see Charlie smack the black rabbit, Scooter, in the back of the head. I squeezed my eyes shut and just started pleading. "Please, Charlie, please don't kill the rabbits. I'm sorry. I'm sorry. Whatever I did, I'm sorry. Please."
He held Scooter so that I got the full effect of how dead he was. "You never pay any attention to these goddamn things, so why do you care? They're all diseased."
Then why would you want to eat them? I wonder now, but at the time I couldn't even think straight. "Please, Charlie, at least don't kill Cinnamon. Please. She's mine. You gave her to me. You said she was for me to raise."
He tossed aside Scooter, his skull crushed and bloodied by the tire iron Charlie held in his right hand. "Go on, Ash-Hole. Get out of here."
"Please!" I shrieked, hysterical, but he stepped toward me with the blood-covered end of the tire iron angled as if I was next.
"Get out of here!" he roared.
I ran toward the pond, stopping only when I reached the bank, where I threw myself down on my stomach and screamed into the dirt. I looked up and saw Charlie raise the tire iron in the air and bring it crashing down upon the back of Cinnamon’s head. Her body convulsed once, then hung limp. He had killed the other rabbits inside the barn, but brought Cinnamon outside, within view of the pond.
The next night, my mother served Charlie fried rabbit.
At school, the fourth-grade boys ran up to the girls who had breasts (a lot more girls’ chests had erupted in fourth than in third), and acted as if they were going to grab them. They got a kick out of the girls' shock, stopped just short of touching, and said, as they made squeezing motions, “Cush! Cush!” I always wondered why the teachers didn't do anything about it. Were they blind? How could they possibly look the other way?
Between the boys at school and Charlie, I was under constant scrutiny from creatures of the male persuasion. I became very self-conscious about having breasts, and at night, before falling asleep, I tried to claw them off my chest. I still have deep grooves in my skin where I scratched myself senseless. I hated them. I felt that if it weren't for those damned things, my life would still be pretty easy. Before going to sleep, I would pray to God to please take these things back; I didn't want them and never had. Imagine my disappointment upon waking each day.
We did not live in Baileyville long, just about eighteen months. Charlie’s business had taken off in Northside, and I felt relieved when we left Baileyville behind and returned to the suburbs of Dallas. I think I was hoping that the Charlie I lived with in Baileyville would go away, never to return, and the-good-guy-rescuer-of-bloody-tongued-girls-on-bumper-cars would return to take his place.
In Baileyville, even though I wasn't an outsider because of my skin color, I had a sense of awkwardness about myself that came from within. I knew that what was going on in my house was wrong, but I didn’t know what to do about it.
Charlie chose our new house, another fixer-upper. It had three bedrooms. My bedroom was right across the hall from my parents' room, and my bedroom connected via a bathroom to the guest bedroom.
The doors were hollow and made of flimsy pressed wood. Somehow, the guest room’s bathroom door kept getting a hole smashed all the way through it, so there was always a large, irregularly-shaped peephole in it, about the size of a CD. There was a towel rack in the bathroom behind the door, and I kept catching hell about slamming the door into the towel rack.
The thing is, I hardly ever even opened that door. My great-grandfather was living with Nanny and Papaw by then. On days that Nanny needed a break from him, he would be delivered to our house to do handyman work. Great-Grandpa would go from room to room with a little toolbox, looking for stuff to fix. I don't know how many jars of wood putty he went through on that door. The repair job looked awful, but it didn't matter, because wood putty over a hole in a hollow door is futile, unless the door is never opened or closed. Within a day or so of being repaired, SMASH! the hole was back again, and I was blamed.
I had successfully "operated" a shower curtain for years, able to pull it closed and keep it closed when I was taking a shower, but when my mom replaced my clear shower curtain with a solid maroon one, I apparently forgot how to use a shower curtain correctly. Within days of the new curtain being put up, Charlie was bitching, saying that I was so stupid I didn't even know how to keep the floor dry when I took a shower. To prove his point, he brought us back to the bathroom after I had showered and showed us the standing water on the floor. It hadn't been there when I got out of the shower, I knew, because not only was the floor dry, but I was obsessed with keeping the curtain sealed up against the sides of the shower and along the inside of the tub. Showers were like this: scrub scrub STOP check the curtain for gaps; scrub scrub STOP check the curtain for gaps. Some people found bathing relaxing; for me, it was training ground for becoming an obsessive-compulsive.
He acted like it was a huge imposition, having to spend the money and all, but the next day, Charlie took a day off from work to install crystal clear glass sliding doors.
I think I knew he was watching me shower, but I didn’t want to believe it. I could sense someone watching me, but I told myself that it was my imagination. One day, however, feeling really put out with being spied on, I slid open the glass door, stepped out into the bathroom, and stared directly at the hole. I saw his eye, gray and unblinking, watching me. I don't remember anything except that eye. My mind kind of shuts down when I'm freaking out.
Ever the one with a plan, I stuck a thumbtack through the thin wood of the door right above the hole and hung a towel over it, ending his personal peep show. Or so I thought. But Charlie became more determined and started opening the door a crack. So I pulled out the drawers next to the door and stuffed towels between the drawers and the door, so the door couldn't budge at all. Not being able to view me bathing anymore only made him bolder in his pursuits at other times.
He came into my room at night, with my mother asleep across the hall, and ran his hands over my body. I fought back by always sleeping on my stomach and making myself into a human burrito with my blankets, regardless of the warmth of the season. You know those dreams where you just know something terrible is about to happen, like a tornado is coming toward your house, but your feet are melded to the ground and you can’t move, can’t scream, you … freeze? That's what every night was like.
I was in sixth grade by then, the tallest girl in my class, at five feet, three inches. I haven't grown an inch taller since sixth grade, but my body continued to take on curves, sprout hair everywhere, and look like that of a woman, even though I was still a little girl inside. A more and more angry little girl.
For some reason (note that I am being sarcastic here), I fell into a bad mood and stayed there. My mother threatened to make me go live with my father if I didn’t behave, if I didn’t shake the “ugliness” that I had been in for so long. That was her big threat: she would call the faceless person who, in her mind, left me when I was three months old, because he had made no attempt to see me, ever.
I made up my mind to call my mother to my room the next time Charlie touched me. I wanted her to catch him. Getting my frozen body to cooperate, though, was a different story. I could only cry out into my pillow, and the sounds that came out of my mouth were muffled cries, like "Murgh." I squeezed my eyes shut, my eyelids sealed tight. Every muscle and bone in my body tried to form a wall against his attempts to turn me over by sliding his hands under my breasts or hips. My body was locked, rigid, and it took an incredible amount of strength to will my eyes to open, but I forced them to, because I needed to see him in my room, so that I could believe it was really happening.
There he was, his white underwear looking blue in the moonlight, as he stood next to my bed.
The next morning, I told my mom that someone was in my room at night, and she told me that I must have been dreaming, or that it was because I had been reading a science fiction book about space aliens. Obviously, she said, I dreamed that those aliens were trying to abduct me, and maybe I shouldn't read any more of that book.
She told Charlie what I said, and I heard her talking on the phone to my aunt about it. She talked about it so much, I'll bet she even told people in line at the grocery store.
"There must be something wrong with Ashley," she told whoever would listen.
From then on, Mom and Charlie told me that I could not tell my dreams from reality. I began to believe that I was crazy. My grades started slipping; subjects I had once been strong and confident in, like math, became impossible to master. Mom insisted that I ask Charlie for help with it. He threw my book at me and told me I was not only crazy, but I was stupid too.
When I was in seventh grade, a local church began to evangelize by passing out flyers announcing "pizza parties" on Friday evenings. I had already become suspicious of other people's motives for being nice to me, so I wondered why strangers would want to feed me pizza. What I found out was that the "parties" were really revivals, and the idea of a man yelling hellfire and brimstone stuff at me was more than I could take.
Believe it or not, we were members of the Methodist church. It was, in fact, one of the few places I felt safe and loved. People did not really know us; they had no idea what we were like at home, but they accepted our masks. Charlie was head of the landscaping committee, and my mom was a lay leader, a member who helped lead the congregation. I'm sure the people who told me how lucky I was to have such wonderful parents would be shocked to know the dirty little secret of Charlie's nighttime activities.
I think the reason I felt so loved at church was that the minister told me that God IS Love. God didn't create ugliness in the world. God was not a punishing god. God was there to hold you up when you thought you couldn't take anymore. The God I knew didn't list conditions for His loving me.
I didn't have any close friends, but when my classmates came back to school on the Monday after the "Give Your Heart to Jesus and Have a Slice of Pepperoni" thing, they carried Bibles, pamphlets, and holier-than-thou attitudes toward anyone who wasn't there.
"Have you been saved, Ashley?" Korey Hendrix asked as he slid into his seat to my right in first period math class.
"I … think so. I mean, we don't use that word in my church, but I've been baptized," I said, as I finished writing my heading on my paper.
"And how were you baptized? Did'ja go under water?" Korey never even acknowledged that I took up space in the row next to his, unless he wanted to borrow a piece of paper or have me pass a note to Sherry Brown, who he was going out with. Why was he so interested in me now?
I had a bad feeling about this. "No, the minister put some water on my head."
"Did you pray this prayer?" Mary Hood chimed in from two seats behind me. She recited what amounted to: "Jesus, I know I'm a horrible person and I don't deserve Your love, but the wretched piece of crap that I am humbly asks for You to lower Your standards enough to allow me to be called one of Your children. In Your name, I pray. Amen."
Of course I replied that I hadn't said a prayer like that, even though I had never known any belief but Christianity. I was a "cradle Christian." But apparently not the right kind.
"You're supposed to pray this prayer and cry a lot. It's how you know the Devil has been washed out of your soul," said Korey, turning to the back page of his pamphlet.
"If you didn't cry, how can you really know you've been saved, Ashley?" I jumped when she spoke; I didn't realize that Cynthia Morris was standing to my left, looking down at me.
There were so many more happy and peaceful born-again zombies surrounding me at school, I began to wonder if they were right. Maybe God was punishing me for being the wrong kind of Christian, by allowing me to be spied on, groped, pulled at … you get the idea. I thought, "If I can get some of what they've got, I'll have some of their peace too." And maybe God would smite Charlie, or at least make him leave me alone.
I never went to one of the pizza parties, but I did start riding my bike down to the Christian bookstore in my neighborhood. It was one of those bookstores that put books about Catholicism and Buddhism in the "cult" section. I spent hours poring over the literature, to the strange looks of the clerks. I mean, how many twelve- and thirteen-year-old girls spent time in the self-help section of their store? I couldn't afford the hardcover books they had on "how to bring happiness to your home," but I did buy little soft-cover gems like The Jesus Person's Pocket Book of Promises. In it, I found over one hundred numbered promises Jesus had made to me, most of them regurgitations of the prayer my newly blessed friends had cited as The Way, written from Jesus' point of view, which only people who attended pizza party revivals, certain churches, and were baptized the "right" way were privy to.
I was in so much pain and so angry all the time, I figured I would try anything once, or twice … or countless times. Maybe I was so fundamentally flawed, I wasn't even doing Christianity right. The thing was, I couldn't cry. I prayed that damn prayer so many times on my knees beside my bed, like it said to do. Then I'd wait for the uplifted, "saved" feeling that would happen when the Holy Spirit filled my body and soul, but it never came. Maybe I was such a worthless person even God had turned His back on me. I became angrier then, and curious about the nature of evil. How did bad people come into the power they had?
I biked to the library and checked out a book on Adolph Hitler, the baddest of the bad that I could think of. Why did people listen to him? How did a person who was so evil become so powerful? I wanted to know.
When my mother saw the book on my desk in my bedroom, she snatched it up and insisted that I take it back immediately. "I will not have that man in my house!" she railed. "He was a tyrant and an evil person!"
"Yeah, I know, Mom, that's why I want to figure out why people listened to him."
"No! Get that book out of my house!" she flung open the front door and let me know that if I didn't take the book back to the library immediately, she would throw it into the street.
You know, it almost makes me laugh. My mother's high sensitivity to the presence of evil in a bunch of pages bound together with glue and a cover, coexisting with her complete refusal to acknowledge the real Satan sleeping next to her each night (when he wasn't trying to pull me out of my covers, that is). It's freakin' surreal. I could laugh at how clueless she is, if it weren't so painful.
As Charlie's pursuits and mental games became more intense, the survivalist within me really started to emerge. Or the terrified coward. It's pretty much a toss-up. Like Hitler and my stepfather living at one point on the same planet, there is a tough, take-no-prisoners survivor—and a pathetic wimp—living together inside of me.
Dr. Matt, my therapist, who I've known since last summer, explained it to me. See, there's this thing called fight or flight. People have had these instincts since way back when. It's like a decision your body and brain make to help the human race keep on keepin' on. During fight or flight, you go on autopilot. It's not as if you take the time to rationally stand in the face of a charging bear and say, "My, my. How should I handle this?" The adrenaline in the body shoots off the scales, and decisions are made by that shot of natural speed. I don't know about other people, but when I experience fight or flight, I pretty much don't remember what happens. It's like waking up from a dream when you never were asleep to begin with; you were just an animal doing what you had to do, to be safe.
Defiance and a bad attitude toward the world were wearing on me, besides not working in terms of keeping Charlie away. I don't know if it was a rational decision or one born of panic, but I started sleeping in my closet on some nights. I had a walk-in closet with two clothing racks, one above the other. I also had a lot of toys and junk in my closet, which assisted in helping me hide. Folding myself into the space behind my lower rack of clothes, I’d adjust the long stuff like my coat, robe, and dresses so that there were no "holes" in the space between the upper and lower racks, and I could (hopefully) not be seen. I crouched on the floor the way you do when you have a tornado drill at school—you know the position, put your head between your knees and kiss your ass goodbye. Then I'd tuck my feet in with the clothes on the bottom rack. All in the dark, of course, because I closed the door behind me and left the light off. It was incredibly hot in there—stifling hot. Charlie didn't believe in wasting money on air-conditioning, either, and during the summers, it would get so hot behind those clothes, I'd feel like I was going to pass out.
Sometimes I'd stay in there a little while, just until I felt safe again. Most of the time, though, I woke up on my side in the morning with carpet imprints on the side of my face, as well as the occasional straight pin stuck in my leg. I didn’t sleep very well in my closet, but at least Charlie wasn’t trying to unroll me from my blanket cocoon. And it wasn't like he could say to my mom, "Cheryl, when I went into Ashley's room to molest her just now, she wasn't in bed. Do you happen to know where she is, so I may get whatever it is that I get out of doing that to her?"
I hid in my closet during the day if I was alone with Charlie and picked up on the vibe that I was about to be jumped. One way I got a hint was if he watched me, staring openly at my chest. Another way was if he acted really, really nice to me, like asking me how my day was going. I am automatically suspicious of any man who is nice to me. My first thought: What does he want? Gotta want something; he's being nice. It took me forever to know for sure that I could trust David, my dad, who I live with now, and Dr. Matt. Before them, I thought that all men had a thing for little girls. If they hadn't tried anything with me yet, it was just because they hadn't decided to, yet. It was only a matter of time, I thought.
Since Charlie had broken the locks on my bedroom and bathroom doors, I had no way to keep him out of my room. I tried putting my kid-sized desk chair under the doorknob, and he broke the chair in half coming through the door. My mother was steamed when she saw the chair, and I told her that I leaned back in it until it broke. With the exception of never finding me in my closet, the one place in my life where I had control, Charlie was all-powerful. He even claimed to know my own mind better than I knew it.
A couple of years ago when I was thirteen, I was watching a cop show on TV, and I made a comment about how cute I thought this one actor was. Things had been going well at home, at least in terms of what our home was like, and I felt pretty relaxed with my mom as we sat and watched TV. Charlie was returning from the bathroom, walking through the room behind the sofa when I said it, and he went off on me.
“You want to screw him! You said you want to screw him!”
"No, I didn't."
"Cheryl? Did you hear what that little slut said? She just told you she wants to fuck that guy. That guy's old enough to be your father, Ashley." He came around to the front of the sofa and charged both of us. Mom tried to stand up, and he pushed her back down.
"Charlie, I really don't think—" She held up her hands as if she was surrendering.
"Shut up, you stupid bitch! I'm sick of not being respected in this house! Nobody in this house respects me!" He left the den and when he returned from their bedroom, he carried a rifle.
"Charlie, what are you do—?" Mom said. I pulled my knees up to my chest, but Mom didn't seem concerned, given the presence of a firearm and all.
"She said she wants to fuck that guy. You don't believe me. You don't believe what I said, so you're calling me a liar." He staggered a little, bumped into the side table next to his oversized chair, and knocked his drink and bowl of peanuts to the floor.
"No, I'm not, Charlie. I would never." Her tone was even and calm.
"Get out of my house! If you don't respect me, you can get out of my house!" He pointed toward the front door with the barrel of the rifle.
My mother laughed at him, and I thought she had lost her mind. In the voice she uses with me when she thinks I'm being unreasonable, she said, "Fine, we'll leave."
"If you come back, I'll kill you! I'll kill you both!"
It was about ten o’clock at night when my mother took me and we started driving the streets of Northside. I kept begging her, “Let’s leave him, Mom, please, let’s leave for good. We can get an apartment. I'll get a job or something.”
"You're too young."
"No, I'll–I'll clean houses or something! I'll baby-sit every weekend! Please, Mom!"
"You're right, Ashley. We should get a place of our own. But I need to set some money aside first," she said in that same calm voice she had used with Charlie. We crossed the bridge over the highway and entered La Salle, where she grew up. I hoped we were going to Nanny and Papaw's house.
"Are we going to Nanny's?"
She did not answer me at first, then, in a broken voice, she said, “I just don’t want to be alone. I can't. I can't do it. I … he loves me, Ashley. I know he does. He's just drunk. He doesn't mean any of it. It's the alcohol talking, not him. He's such a good person. You know that." A sob escaped her throat.
At midnight she pulled into a McDonald’s drive-through and ordered a chocolate shake and small order of fries. It's one of her favorite combinations. She asked me if I wanted anything. I said, "No." What I wanted, she was not willing to do.
Neon store signs blurred together as I stared silently out the window through my tears. I wanted to tell her then, tell her everything he had been doing to me, but I couldn’t get the words to come out. She was already so upset. I hated it when my mother cried. It was always my fault, like this, our having to leave the house, really was. If I hadn't opened my mouth about that actor. I thought back to the time Charlie went on a two-day bender and only called home once in a while. My mom was hysterical; all she did was cry and wait by the phone. When he called she begged him to come back, asked him what she did wrong and promised she would change, do whatever it took for him to come back home.
At one a.m., my mom was listening to a Beach Boys CD. We had driven down my grandparents' street but not stopped, and I was brainstorming a way out that would not require the cooperation of my mother, that would not make my mother cry, and that would make Charlie stop touching me. All in my head, of course.
Even now, I have a hard time ever getting my mind to stop planning an escape route or a place to hide if things get dicey. My radar is always up and checking the screen for changes in other people's behavior toward me and how they are feeling, because if I've learned anything, it's this: people act out from their feelings. It's something I'm still working to get over, because Dr. Matt says it's not healthy to be so tied up in what other people think, feel, and do. It's like I assume that betrayal or rejection are inevitable, and I want to be prepared for it so I can stay safe, or at least not hurt as badly as I will if I'm not on my guard.
Charlie was unpredictable: creepy-sweet to me when my mom wasn’t around and brutally cruel to me when she was. As we drove toward our end of town, I could hear in my head Charlie's reasoning for the way he treated me. Just a couple of weeks before, he was at the kitchen table cracking pecans, and I was making a piece of cheese toast in the microwave. Mom was not home.
"Do you know why I'm mean to you, Ashley?" he gently asked.
I shook my head and watched my cheese toast revolve in the microwave. Crack went the teeth of the nut cracker against the pecan shell."
I'm mean to you so you won't trust me. You can't trust me. I don't want you to trust me." Crack. Crack.
I stared at the toast. Am I cooking this too long? Is it going to be rubbery?
He continued. "You know what? You are a sexy girl. You are a foxy little thing. Crack. You can do anything you want, Ashley. You can sleep with any guy you want, and you could tell me, and I wouldn't tell your mother.” Crack. Crack.
Dammit, I'm sure I ruined this toast. It's going to be all tough now. I was afraid that would happen.
"But if you ever tell her what I've done; why you Crack can't trust me, I'll leave her. I will. I will BE … Crack ... GONE … just like that. And you'll have to tell her why I left.
"Just don't come home pregnant. If you ever come home Crack Crack pregnant, I'll leave. Just like that. I'll leave if you come home pregnant. I couldn't TAKE IT if you got pregnant!" He lifted the newspaper he had been shelling pecans over, and dumped the fragments in a paper grocery sack next to his chair. He stretched out his fingers, popped his knuckles, and prepared to start the next round of pecan shelling.
The cheese was beyond bubbly, actually starting to grow brown spots on the surface, and the door of the microwave was filling with steam, but the sight took on a dreamy quality as I stared at it so long that it blurred before my eyes. I knew Charlie had had a vasectomy four years before. I don't know why I thought about that in connection with his pregnancy comment, but I did. At the time of his surgery, he was quite obvious about his discomfort, and my mother's sympathy for his pain was all she talked about. The nine-year-old I was didn't want to know about his shaved testicles. I don't think I would want to know about them at the age of ninety-nine, for that matter. I didn't want to know about his stitches and how they itched and if his incision was puffy. Leave me out of it, for the love of God.
"Your mother … doesn't like sex. She hates sex. I … have needs, Ashley. Needs that your mother doesn't want to meet." Crack.
DING! Thank God. My cheese toast shriveled to what resembled a piece of varnished wood, I took it out of the microwave, threw it in the wastebasket next to the microwave cart, and went to my room to do my history homework. You know the sound a seashell makes when you put your ear up to it? That's the sound I hear in my head when I mentally go someplace else, when where I am gets to be too much. Whoosh.
Every once in a while we would stop. Mom didn't grab her cell phone from the charger before we left, and she would get out and go to a pay phone to call and see if Charlie still wanted to kill us. I watched her insert quarter after quarter. I guessed that he was answering the phone—that's why it cost her a new quarter each time—then slamming it down when he heard her voice.
She came to the car and dug around in the ashtray for a coin. "Do you have a quarter?" she asked.
I shook my head, "No."
She lifted the floor-mat. "Oh, here's one!" she said in her light, happy voice. Her shoulders slumped as she trudged back to the phone booth. A car load of bandanna-wearing guys in a low-rider came thumping by our car slowly, the eyes of its occupants scanning my mother's backside and trying to get me to look at them. I looked down when I saw what they were doing. Every cell in my body wanted to lean over and lock her door, like I had already locked mine. I fought the urge to roll up her window and leave her to their mercy, while I had at least managed to delay their attack by being inside the car. I couldn't just throw her to the wolves like that, could I?
I wanted to honk at Mom, to make her turn around and see that we had a more immediate threat than Charlie just then, but she did not turn around to acknowledge the thump-thump of the gang's stereo system. Her shoulders remained slumped, her head bowed, as she listened to ring after ring after ring, which Charlie ignored.
God apparently still listened to me even though I had flunked out as a Christian, because the low-rider moved on, its deliberately slow retreat reminding me of a shark choosing to let its prey live another day, swimming off into the ocean depths.
Around two a.m., after another ten minutes of her standing in the dark and listening to the phone ring, we drove back home.
"Mom, he said he'd kill us. He's going to shoot us. We should call the police and make them go in first." I knew as I said it that my mother would never involve anyone else in our family's business. What would people think?"
He's probably passed out. He won't even remember this in the morning, Ashley Nicole. It's the alcohol talking, remember? We're going home and going to bed."
There were no lights on in the house when we drove up, not even the familiar light we always left on above the kitchen sink."
I want to stay in the car. I'm afraid to go in," I told Mom as I leaned my seat back.
"Don't be silly," she said sharply. "It's not safe for you to sleep out here. Get yourself out of that car and come in with me. Now."
I slowly got out of the car, the urge to crawl on my hands and knees overwhelming me. "Come on!" she hissed from the front porch.
She knocked on the door. No response. She put her key in the lock and turned it slowly. I expected the door to blow off its hinges.
Gingerly she eased the door open, and whatever objects Charlie had piled up against it went clattering to the floor. Mom laughed nervously. I held my breath.
She pushed the door open all the way, flipped on the light switch in the foyer, and I gasped at the destruction. Charlie had torn the curtains from the den windows and stacked piece upon piece of furniture and heavy objects in front of the doors and windows. The sliding glass door was secured not only with the lock, but with broken pieces of a kitchen chair, as well. The shutters in the front room were closed up so tightly, you'd think we lived on the coast and a hurricane was coming.
A pile of shiny objects glinted against the dark oak parquet floor, and upon closer inspection, it was clear that my mother's collection of elephant figurines had been destroyed.
His rage seemed pretty much contained to the room in which I had uttered those words, as I watched an actor toss his blonde hair and slide his sunglasses onto the neck of his shirt: "He's cute. I wish I could meet him."
I knew how afraid my mom was of being alone. And more than that, I was afraid of being taken away from her. I figured if I told what was happening to me, I would be taken away from my mom, like the foster kids we had were taken away from their parents. A few years ago, my stepdad saw an ad in the local paper pleading for foster families. He was a foster kid himself, and he decided that we needed to open our home to others the way that somebody else took him in.
The story goes that Charlie ran away from home when he was fourteen, and was walking on the highway in an ice storm, wearing just an old white t-shirt and holey jeans, when a nice man pulled his car over and offered him a home. Charlie worshipped the family that took him in, and he declared that we, too, needed to share what we had with others, by being a foster family. The screening process did not involve me at all. I was kind of hoping it would, because if they asked me if everything was okay at our house and I told them it wasn't, maybe they could make Charlie leave. No such luck.
We were a foster family to girls between the ages of eight and twelve, the only gender and age bracket my parents said they would be willing to take in. I guess Charlie's generosity did not extend to boys. For about a year, one little girl at a time occupied our guest bedroom. Suddenly, we stopped being a foster family, though it was never discussed with me. Now I wonder if any of those girls were abused, too.
Those poor girls came through our house, and I saw how messed up they were. I wondered why they didn't stay with any of their other family members. I didn’t know my father, but I never thought of him as another place I could go. As far as I was concerned, he didn’t want me.
Besides not wanting to hurt my mother, I also was afraid that if I told, I could be put into a house like ours. From talking to some of the older girls I shared a bathroom with for anywhere from one day to three months, I learned the reason they had been taken from their original families was the same reason I wanted out of mine. In those girls' eyes, there was desperation, grief, and complete confusion as to why they had been sent away from the one person who was supposed to be willing to die for them, if the situation arose. I wonder what they saw when they looked at me.

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New blog and website!

Another chance to win Courage in Patience!

The very cool Jamie Harrington is giving away a copy of Courage in Patience on her site, http://www.totallythebomb.com on Tuesday, 2.9.2010. So, stop by her site and do what it takes to win!

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They say it's my birthday! So I'm holdin' a contest!

So... my birthday's March 8, and I've decided that my present this year will be a book deal for my Patience trilogy: Courage, Hope, and Living in Patience. To celebrate this self-fulfilling prophecy, I'm holding a contest for a signed copy of the out-of-print first edition of Courage in Patience.

Courage in Patience was released in Sept. 2008 by Kunati Boooks, a traditional publisher based in Canada. Hope in Patience is also available although never released; Living in Patience is my work-in-progress.

My rights to Courage were reverted at my request prior to the company's demise. During Courage's brief six month release, I carried out an extensive book and blog tour and continued to build an internet presence-- and I made back my advance, plus.
I maintain a serious self-marketing plan even while my agent, Gina Panettieri, shops Courage for a new home.

So-- back to the contest!

The theme running through Courage in Patience is, "Courage is not so much avoiding danger but conquering it." Write a story, 100 words or less, telling about a person you have known who has shown incredible courage in the face of adversity.

Subscribe to my NEW site, http://www.bethfehlbaumya.com, by posting your story as a comment on the contest blog post-- (you'll have to sign in/sign up to post a comment)-- and readers will vote on their favorite story.

RULES:
The story must be your own work.
You must become a subscriber in order to enter the contest!
Contest open to residents of the U.S. or Canada only.

The contest ends March 8-- MY BIRTHDAY-- and the winner will be determined by the story that gets the most votes.

Ready? GO!

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Courage featured on another recovery site!

An interview with me & a link to a review of Courage in Patience are featured on this month's blog carnival for sexual abuse recovery. Thanks so much, Adam Appleson and Gudrun Frerichs, Ph.D.!

http://recoveryfromsexualabuse.blogspot.com/2010/02/carnival-edition-february-2010-self.html

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YAY! Courage in Patience is an Unsung YA Favorite!

Very cool song my daughter shared with me!

I love this song! My daughter Alissa sent the link to me and I already bought their album from I-Tunes. It's wonderful. I love it when my kids share music with me. She says this song reminds her of my husband and me. :)

"The Gambler" by Fun. From their album, "Aim and Ignite".

Check out the words:

Slow down,
we've got time left to be lazy
All the kids have bloomed from babies into flowers in our eyes.
We've got 50 good years left to spend out in the garden
I don't care to beg your pardon,
We should live until we die.

We were barely 18 when we'd crossed collective hearts.
It was cold, but it got warm when you'd barely crossed my eye.
and then you turned, put out your hand,
and you asked me to dance.
I knew nothing of romance, but it was love at second sight.

I swear when I grow up, I won't just buy you a rose.
I will buy the flower shop, and you will never be lonely.
Even if the sun stops waking up over the fields
I will not leave, I will not leave 'till it's our time.
So just take my hand, you know that I will never leave your side.

It was the winter of '86, and all the fields had frozen over.
So we moved to Arizona to save our only son
and now he's turning to a man, although he thinks just like his mother,
he believes we're all just lovers he sees hope in everyone.

And even though she moved away,
we always get calls from our daughter.
She has eyes just like her father's
they are blue when skies are grey
And just like him, she never stops,
Never takes the day for granted,
works for everything that's handed to her,
Never once complains.

You think that I nearly lost you
When the doctors tried to take you away.
But like the night you took my hand beside the fire
30 years ago to this day
You swore you'd be here 'til we decide that it's our time
Well it's not time, you've never quit in all your life.
So just take my hand, you know that I'll never leave your side.
You're the love of my life, you know that I'll never leave your side.

You come home from work and you kiss me on the eye
You curse the dogs and say that I should never feed them what is ours
So we move out to the garden
look at everything we've grown
and the kids are coming home
I'll set the table
You can make the fire.

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Courage in Patience: a synopsis

Synopsis of Courage in Patience


IT MAY NOT SEEM LIKE IT NOW, BUT YOU ARE NOT ALONE.
Ashley Nicole Asher's life changes forever on the night her mother, Cheryl, meets Charlie Baker.
Within a year of her mother's marriage to Charlie, typical nine-year-old Ashley's life becomes a nightmare of sexual abuse and emotional neglect. Bundling her body in blankets and sleeping in her closet to try to avoid Charlie's nighttime assaults, she is driven by rage at age 15 to to tell her mother, in spite of the threats Charlie has used to keep Ashley silent.
Believing that telling will make Charlie go away, instead it reveals to Ashley where she lies on her mother's list of priorities.
"We're just going to move on now," Cheryl tells Ashley. "Go to your room."
Ashley's psyche splinters into shards of glass, and she desperately tries to figure a way out, while at the same time battling numbness and an inability to remember what happened when she blacked out after Charlie tackled her.
She knew that when she awoke her clothes were disheveled and the lower-half of her body was covered in bright red blood-- but she has only a blank spot in the "video" of her memory.
When Ashley's friend, Lisa, sees a note from Cheryl telling Ashley that Charlie would never "do those things to her," and insisting that she apologize for accusing him of molesting her, Lisa forces dazed Ashley to make an outcry to her teacher, Mrs. Chapman.
By the end of the day, Ashley's father, David, who has not seen Ashley since she was three months old, is standing in the offices of Child and Family Services. He brings her home to the small East Texas town of Patience, where he lives with his wife, Beverly, their son, Ben, and works with his brother, Frank.
Through the summer school English class/ Quest for Truth taught by Beverly, an "outside-the-box" high school English teacher whose passion for teaching comes second only to her insistence upon authenticity, Ashley comes to know Roxanne Blake, a girl scarred outwardly by a horrific auto crash and inwardly by the belief that she is "Dr. Frankenstein's little experiment";
Wilbur "Dub" White, a fast-talking smart mouth whose stepfather is a white supremacist who nearly kills a man while Dub watches from the shadows, forcing Dub to realize that he cannot live with the person that he is, any longer;
Zaquoiah "Z.Z." Freeman, one of the few African-Americans in Patience, whose targeted-for-extinction family inherited the estate of one of Patience's founding families and has been given the charge to "turn this godforsaken town on its head";
Hector "Junior" Alvarez, a father at sixteen whose own father was killed in prison, who works two jobs and is fueled by the determination to "do it right" for his son, "3", and his girlfriend, Moreyma;
T.W. Griffin, whose football-coach father expects him to be Number One at everything, and whose mother naively believes that he is too young to think about sex; and
Kevin Cooper, a not-so-bright football player with a heart of gold, whose mother, Trini, a reporter for the local paper, is instrumental in exposing the ugliness that is censorship.
Every person in the class is confronted with a challenge that they must face head-on. The choices they make will not be easy—but they will be life-altering. With the exception of her mother and step-father, Ashley is surrounded by people who overcome their fear to embrace authenticity and truth-- the only way to freedom.
But will Ashley have the inner-fortitude to survive the journey to recovery and the effects of Post-Traumatic Stress Disorder? Will Ashley find her voice, speak up for herself, and break the bondage of her abusive past?
Realizing "she's gonna need a lot more than we have," David and Bev enlist the help of Scott "Dr. Matt" Matthews, an experienced, slightly unconventional therapist who insists that Ashley can and must come out of hiding in the closet in her mind.
The Chris Crutcher novel, Ironman, is taught by Beverly Asher in the summer school class. When T.W.'s overbearing parents read the book, they decide that the book should be censored, and they involve the pastor of Patience's largest, most conservative church to lead the fight through the Purify Patience organization.
Its mission is to cleanse Patience of Profanity, Promiscuity, and Parent-Bashing Pedagogy—all complaints the group has about the novel, Ironman.
Its hidden agenda, however, is to return Patience to a time when "Patience was 100% white", "women knew their place","everyone had plenty of money", and "Christian values were taught in school."
The censoring, pseudo-Christian, white-supremacist, misogynist organization is exposed for what it is in a courageous move by one of its own (well..his mother threatens to twist his ear off if he doesn't speak up), isolating the pastor and causing most of his "flock" to deny they ever knew him.
National and world press attention shine speculation on the dirty little secrets hidden in Patience, and its inhabitants are forced to examine their own values and beliefs.
Alone in the dark, Ashley must face her worst fears in a pivotal scene between her, Charlie, and her mother. Will she find the strength to advocate for her own right to exist in a world that is free of fear and abuse? Can she, like her friends, find Courage in Patience?


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Living in Patience

*Exasperated gasp* I'm DETERMINED to get some writing done this winter break. I **think** I've finally figured out (again) how I want to start the third book in the Patience Trilogy. I **think** I've arrived at a title (this is progress, people!)-- LIVING IN PATIENCE.

Because that's what so much of recovery from sexual abuse is-- it's focusing on actually LIVING your life while dealing with the stuff that kept you from doing that for so long.


Ashley, the protagonist, has been through the abuse, getting away from it, finding a new life in Patience, Texas-- and-- at the end of Hope in Patience-- she finds a boyfriend, too!

She's been afraid, strong, angry, strong, freaked out, strong, lost, strong, found, strong...

in Living in Patience, she's going to get to really say HELLO to what it is to LIVE-- but-- she will also have to say GOODBYE... there's a tease for you.


I'll admit-- it's been a little hard to focus on this novel, because Courage in Patience has not found a new home yet-- so obviously, Hope in Patience-- the sequel to Courage-- has not, either. But I KNOW that in 2010, Courage in Patience is going to land in the best possible place for it-- and I believe the other books, will, too.


So-- wish me luck because the writing muse has been nagging me all day so I think I'm going to give her my ear.

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Awesome Christmas gift from my husband


Plans he has for our front gate. Check out the words.

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The Corbett Family's Christmas and Snow in a Can

When I was a little girl, I loved the holiday season so much that I listened to Christmas music as I trimmed the rooftop of my dollhouse in twinkling lights. This would not seem strange, except that my dollhouse family, the Corbetts, Scotch-taped their stockings to the fireplace in AUGUST.

Eight months into the new year, a craving for the warm little bubbles of hope that Christmas created in the pit of my stomach just became too strong to resist, and the need was quelled by hearing songs like Glenn Campbell's "It Must Be Getting Close to Christmas":

"When daughter starts

To greet you with her

Warmest grin

And Junior's

Got his room

Much neater than a pin

And if they fight

To hug you each time

You walk in,

It must be

Getting close

To Christmas....

Nobody ever

Makes mention

Of the weather

Or season

But you

You just love

That attention

Whatever the reason

All at once

Tthe wife is charcoal-broiling steaks

Coming up with dishes

She'd refuse to make

And your little puppy

Doesn't bark

Till you're awake

This paradise

Is close to sublime

And very close

To Christmas time"

I look back at that song now and I think, "Well, no wonder the dad's content-- the whole household is tripping over themselves to make him happy." But I digress.

My grandmother always decorated her house the weekend after Thanksgiving, and it was, literally, a wonderland of Christmas from one end of her house to the other. From year-to-year, I knew exactly where the Nativity would be set up; what the display atop the china cabinet would be, and that Bing Crosby and the Andrews Sisters would be overjoyed in a way I couldn't quite grasp when they sang "Mele Kalikimaka"- the Hawaiian Christmas song:

"Here we know that Christmas will be green and bright.."

No snow? Really, Bing? A perfect Christmas involves no snow?

Two of my chldren came home from college yesterday. My husband and I prepared for their arrival by decorating the house, inside and out, and, thanks to Amazon's two-day shipping and a whirlwind of gift-wrapping, there are presents beneath the tree. As the hour neared for the girls to arrive, I rushed around doing last minute things, trying to create an environment comparable to what my grandmother so artfully accomplished year after year. I can't say consistency is my strong point. The stockings hang in the same place year-after-year and Baby Jesus is always the center of the Nativity. That's about as predictable as I get.

I was walking out of my oldest child's room when I noticed an aerosol can of "snow" atop my box of craft supplies, and before I knew it, I had outlined three windows that face our driveway in calcium carbonate, isobutane, propane, and sorbitan tristearate-- the stuff that makes up snow in a can. I humbly apologize to the hole in the ozone layer.

Right after I applied the stuff, I knew I'd made a mistake. Instead of adding to the ambience I was aiming for, the effect was shockingly inauthentic. Jarring, even. But it provided a concrete reminder for me of what my family-- my husband, daughters, and I-- have fought so hard to achieve over the past five years that I've been on a journey of recovery from childhood sexual abuse. As I went through an entire roll of paper towels and half a bottle of Windex to remove the fake snow, I thought about what Christmases were to me pre-recovery, compared to what they are now.

My family of origin could have written a Martha Swewart-like guidebook on how to portray a storybook Christmas. It's why my dollhouse family, the Corbetts, were so pretty to look at. The thing is, the Corbetts couldn't talk, and their clothes didn't come off, either. That's two things they had on us.

If families are all about appearances, we were the go-to people. We were experts at "acting as-if". We pretended to be the people Glenn Campbell sings about in "It Must Be Getting Close to Christmas." The father was the center of the universe, and we were all about keeping him happy-- but it wasn't because Christmas was coming. It was an act of self-preservation. Christmas dinner at my grandmother's house was often punctuated by tension when too much alcohol was consumed. And year-after-year, up until I was on the road to recovery, I'd leave family gatherings feeling empty and ashamed, but I never knew why. Five minutes on the road home, and I'd be dissecting everything I'd done wrong and feeling like a disappointment. I'd sometimes turn it outward and start a fight with my husband-- taking him to task for seeming to shut down at family functions by withdrawing to a back bedroom to play Solitaire on the computer--and who can blame him now?!--or I'd just withdraw into myself until I could get home and shove food down my throat. It was not until I started working at getting better that I learned that the holidays don't have to be like that.

So, what are holidays like now? My grandmother is gone now, and has been for several years. My relationship with my family of origin could not survive the necessity my recovery requires for authenticity, honesty, and facing ugly truths head-on. My brother and I, estranged for several years, reunited about four years ago, and I am delighted to say that he and his wife are coming to our home on Christmas Eve.

As far as that elusive "Corbett Family Christmas"-- the kind portrayed in the Pillsbury commercials-- I'm not nearly the cook that the women in my family of origin are, and I'm still searching for items I'm able to recreate consistently enough to label as a "family recipe." My cooking is kind of a family joke anyway. Just preheating the oven sends one of our dogs into nervous fits, since she anticipates the smoke alarm going off if I'm cooking. But sufficient time has passed that I can read recipes in my grandmother's and mother's handwriting without weeping. I don't have their magic touch, I still can't make gravy, and I doubt I will ever be able to. My husband consistently reminds me "it's not about the food!"-- but tell that to the editors of the women's magazines that fill the rack at the Wal-Mart checkout stand. Every one of those magazines entices with promises of "the perfect Christmas dinner".

The past five years have been about finding our own family traditions,carving out holidays on our own, and being enough for each other just by being who we are-- even when that means shedding a tear of sadness at the loss of people we loved. The first couple of years were very hard, but each year it's gotten easier. At this point on the journey, my life is much fuller of love and gratitude for what IS than sadness at what is not and will not be. Because of that, the hope bubbling up inside of me is authentic-- not canned snow, Glenn Campbell, or the Corbett's Family Christmas.

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"Why this book is a must-read for abuse survivors"

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"Why this book is a must-read for abuse survivors"-- expanded review/commentary on COURAGE IN PATIENCE from
http://www.zentactics.com/courageinpatience.html:

"On the cover of Courage in Patience, the caption reads "A story of hope for those who have endured abuse." I recall thinking to myself as I read this in 2008 that I should read it. I was fortunate enough to obtain a copy, but that week I was busy and feeling a little blue. So I put off reading it for about a week. That was the wrong thing to do. When I finally got around to reading it, I realized the book gave me insight on issues that I was dealing with at that time.

It's a story about the courage and patience it takes to overcome abuse.

At first you might be expecting a syrupy you-can-do-anything kind of tale. But it's not. The writer had much more sense than that and created a work of dramatic, realistic fiction. The story centers around the life of Ashley Asher, a fifteen year old teenage girl.

Ashley lives with her mother Cheryl and stepfather Charlie in the tiny town of Patience, Texas (hence, the title). Right away you realize Ashley isn't living in the best of circumstances. She lets us know that her mother Cheryl thinks her biological dad David was a loser, and that Ashley herself thinks Cheryl is the "Queen of Bad Decisions."

Within the first 30 pages of Courage in Patience, we get a sense of the scope of Ashley's problems. While Beth's writing is not over-the-top graphic, she does describe enough detail so you can see the way Ashley is assaulted and abused by Charlie, her stepfather. For instance, on p. 15, Ashley says "...he [Charlie] gestured to me to sit on his lap. I did so, enjoying the idea of having a daddy like my friends did. I got so content and relaxed there, I dozed off. He started rubbing my brand-new breasts. I wasn't actually asleep, but it freaked me out so much that I pretended I was..."

Yes, Ashley's stepfather Charlie is a bad guy and there's no debate about that.

But what makes Courage in Patience such a great read is that the other characters are portrayed with realistic depth. For example, you get the sense that Ashley's mother, Cheryl, cares about her daughter and wants to do right by her. But Cheryl is clearly a dysfunctional individual who isn't ready to raise a daughter and protect her from the world. This is perfectly captured when Ashley tells Cheryl about Charlie molesting her since she was nine years old. But Cheryl has her own problems and doesn't know how to function as an independent adult. She's so desperate that she'll even put up with someone like Charlie and the vile things he's doing to her daughter. When Ashley gets to school the next day, she finds a note in her lunch from Cheryl that reads "Please apologize to Charlie. He would never do those things to you. Please. For me..." (p. 55). Cheryl doesn't throw Charlie out for molesting Ashley. Rather, she decides to believe Charlie when he says that "he was sick then, but he's not anymore." (p. 51).

This illustrated the perfect way in which the author incorporates the dynamics of child abuse into the story without ever having to explicitly tell us about them. Fortunately, though the story takes a more hopeful turn, as Ashley's friend Lisa helps her disclose what's happening to a trusted teacher. Eventually, Ashley is moved to a safe environment by reuniting with her biological David, who feels a ton of remorse over what's happened to Ashley since he left.

From there, Ashley begins crawling back toward a healthy mental state.

She doesn't do it without suffering a few bruises along the way, as both Cheryl and Charlie try to come back and get Ashley to live with them again. But fortunately, they fail in their attempts thanks to the efforts of Ashley (who's still clearly traumatized) and the new family she's found with David and his wife Bev, an English teacher.

At the end of Courage in Patience, we see Ashley is not completely whole, but fully engaged in the process of healing. This isn't a Hollywood ending, but it is a hopeful and realistic one. I think Beth is able to write this so well because she is an abuse survivor herself.

But it would be a disservice to say that this is just a book about abuse.

Author Beth Fehlbaum also masterfully captures the art of growing up and learning to be your own person through some of the sub-plots running throughout the story as well. For instance, we see a high school classmate of Ashley's, Dub, learning to grow away from his stepfather Billy Ray's racist beliefs.

Then there's the sub-plot of a school board's attempt to try and keep Bev from using a certain book in her English class to teach her students. The book mentions curse words, homosexuality, and sexual abuse that certain religious members of the community find objectionable. Taken out of context, this may even seem fine. But Beth Fehlbaum shows that living in an authentic way doesn't mean shying away from certain truths about the world, and to censor that is to perpetuate ignorance and is actually a disservice to young people in the long run. The way she writes this part of the story is so real and entertaining, hopefully you'll get a chance to read it for yourself.

At first, the one thing I wanted to change was the ending of the book.

But then I realized the ending was actually perfect because it was realistic. I won't spoil it completely for you, but the ending definitely isn't a Hollywood one. Ashley doesn't go riding off into the sunset with her new boyfriend. It's all about what it means to start healing as an abuse survivor.

The bottom line is that it's refreshing to read a book that realistically portrays what an abuse survivor has to go through, and does so in an entertaining way. If you're friends or know someone who is a sexual abuse survivor, this story will help you understand what abuse does and the mechanisms survivors use to cope. Above all, Courage in Patience is a true original and a refreshing addition to anyone's bookshelf."

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Newest 5-Star Review: "Definitely original; characters are three-dimensional"

http://www.amazon.com/Courage-Patience-Story-Those-Endured/product-reviews/1601641567/ref=cm_cr_dp_synop?ie=UTF8&showViewpoints=0&sortBy=bySubmissionDateDescending#R34Y9M0SQMLG8C

5/5 Stars, Review by Adam Appleson on Amazon:


When I first got this book, I was swamped with school and suffering a bit from depression so I put off reading it for a week. Big mistake.

When I finished reading it, I realized Beth Fehlbaum had written a book that not only contained great lessons in healing for abuse survivors, but also one that educated others about what victims of abuse go through. Beth's writing really made Ashley and the other characters three dimensional, and didn't resort to making any one person all good or all bad (although you really come to despise Ashley's mother Cheryl and her step dad Charlie, especially if you're an abuse survivor).

For instance, we see one of the minor characters Dub, step out of his racist stepfather's shadow and start on his way to becoming a good man. This brings up another great point about the book - it's more than a book about abuse. Like the back cover of the book says, this story is "[a] touching story focused on the themes of abuse, social injustice, racism, peer pressure, bullying, parental responsibility, fear, forgiveness, love, acceptance and hope, which will inspire the millions of abuse victims in America, young and old alike."

The ending of the story isn't a Hollywood ending, but it is a hopeful one. Beth's writing kept me engaged, so much so that I read half the book in an afternoon. If you've ever suffered from post-traumatic stress disorder because of abuse, you'll really feel the pits in your stomach as you read what Ashley's family puts her through. But even though Beth Fehlbaum stays real, she never gets graphic in her portrayal of what's going on. It's a tricky balancing act, but one that she pulls off marvelously. Buy this book, you won't regret it. It is definitely original, and a refreshing addition to anyone's bookshelf.

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Sneak Preview of Interview I did with the founder of ZenTactics!



Sneak peek at interview I did with Adam Appleson, founder of http://www.zentactics.com/, a support site for survivors of child abuse.


Note from Adam: Some elements of the plot are revealed, so if you don't want to know in advance, please read the book first! It's a great read.


1. Hi Beth, thank you for joining us today. Please tell us a little bit about yourself and your book, Courage In Patience. What is your background and what prompted you to write the book?


Hi, Adam. Thanks for inviting me here-- and for your kind words about Courage in Patience. Let's see; I'm a writer and a teacher, and a survivor of childhood sexual abuse. I wrote Courage in Patience mostly for myself, to see if I could revisit dark places as an observer of someone else's experience. I think it felt safer to me to do that. Initially, I was writing a lot of short stories and poetry and sharing them with my (awesome, amazing, experienced, skilled---) therapist, who saved my life with the guidance he has given me to get through the very tough journey of healing from childhood sexual abuse.

One day, he suggested that I try writing a novel. It took me about four months of stopping-and-starting, always ending up stuck inside my own fear, grief, and anger at the people who allowed me to be victimized, and who perpetrated the acts of violence. One day, it hit me: I'd try writing the story of a teenage girl who had been abused by her stepfather and betrayed by her mother. She'd be reunited with a father she'd never known, and he'd have to overcome his own shame at being a lousy dad in order to help his daughter begin to heal from her past. From there, the story took on a life of its own.


2. The book is being marketed for young adults and abuse survivors. Was this the particular readership you had in mind as you were putting it together?


No, I actually did not consider having it published until I finished it and realized that I had woven a story of survival, hope, and forgiveness-- NOT an abuse story. While the protagonist is a teenager, so it makes sense for it to be marketed to the YA audience, I have heard from people across the age-spectrum. And, it was my first publisher's idea to add the tagline, "a story of hope for those who have endured abuse." Courage in Patience does resonate with many abuse survivors, but people from all backgrounds relate to the story. As you know from reading the book, the kids in Ashley's summer school English class face challenges that are common across the spectrum of human experience: racism, hypocrisy, fear, intolerance, censorship, etc. My agent is now shopping Courage in Patience as a YA novel. I have regained all rights to Courage in Patience, and my agent is shopping it and its sequel, the as-yet-unpublished Hope in Patience, to publishing houses. I am just in the beginning stages of writing the third and final installment in The Patience Trilogy.


3. In your book, Ashley confides about the sexual abuse she's experiencing to her favorite teacher, Mrs. Chapman, and this starts her on the road to recovery. In your experience in working with abuse survivors, what is the best thing a teacher can do for the student who confides in them about abuse?


Well, legally, of course, any disclosure of abuse must be reported to the authorities. In the past, when students have trusted me enough to confide in me about abuse, I have made clear to them that I was with them for the long haul-- and that what happened to them was not their fault. I have kept in contact with former students-- and I continue to do that, to maintain relationships with kids I've taught. A huge part of teaching is nurturing a relationship with students so that they feel safe and supported, and learning takes place naturally in that environment. It's also important, I think, for teachers to recognize that roughly a quarter of the kids in any classroom either have experienced abuse of some kind or will experience it at some point. We need to remember that some kids are dealing with a lot more than homework when they get home, and be sensitive to that reality when piling academic expectations on them. Yes, grades and promotion are important-- but physiological needs precede all else. It's impossible to focus on math, for example, if you've slept in a closet the night before to avoid the molester across the hall.


4. In the story, Ashley is "book smart" as she calls it (p. 39). She seems to do well academically in spite of being abused. In the current American school system, a student who performs well academically and doesn't make trouble but is quietly suffering from abuse would likely slip through the cracks in the system. How can teachers help a student who they suspect is being abused but is really not causing any trouble or getting bad grades?


What I have done as a teacher is make a mental note of behaviors I'm seeing that tell me a child may be being abused, and maybe mention it to the child's other teachers to see if they have observed the same thing I'm seeing. I usually talk to the counselor to let her know what I'm seeing, so she can call the child in to see if everything's okay at home. In other words, I tread very softly while working at developing a relationship of trust with the student. It took one little girl I suspected was being abused about three months to trust me enough to talk to me about it-- about the man who was living in her home with their family, and what he was doing to her. At that point, I assured her of my support, and she and I went to the counselor together to report what was going on. I was with the student when she told her parents about it, too, and I was relieved when the abuse stopped because the parents kicked the guy out of their house.


5. What kinds of differences have you noticed in the classroom (and outside) between students who are being abused (or that you suspect are being abused) versus those who aren't?


I am very attuned to physical clues that kids give off; for example, clothing: a girl who wears layers and layers of clothing, no matter the temperature or weather; a young girl who dresses "older" or provocatively. Body language: a child who shrinks from a shoulder pat or sideways hug from a teacher, or who carries her body in a way that hides her physical development. Mood swings-- especially a kid who, after a holiday break or even a weekend, comes back to school in a particularly foul or weepy mood. I think I am especially sensitive to these sorts of changes, because I behaved these ways myself as a child and, in many ways, as an adult, pre-recovery. I'm not one of those teachers who gets angry at a child for misbehaving; I'm more likely to try to figure out the reason behind the misbehavior and see if I can help the child find relief from what it is that's making them so angry or afraid. Kids who are being abused give off a vibe that I pick up on. I don't usually perceive it from kids who are just having an "off" day.


6. There are several points in the story when Ashley feels like she is not in her body, and she experiences a Whoosh inside her head. When I first read it, I found myself thinking that was the perfect way to represent an out of body experience for a sexual abuse survivor. How did you decide on using the Whoosh to represent Ashley's out of body sensation?


It was the best way I could express what it is like to disassociate. "Whoosh" represents, to me, the literal emptiness that overtook my head and awareness when I was being abused. It's like white noise.


7. One of the things that can happen when confronting or confiding in other family members about abuse is that it doesn't always have a happy ending. Your book does a nice job of illustrating this. Near the beginning of the book when Ashley confides in her mother about the abuse she's enduring at Charlie's hands, her mother refuses to believe her. It's very heartbreaking. What would you advise someone who experiences this to do?


Find a competent therapist, surround yourself with people who do love you and support you, and know that it's a very bumpy road you're embarking on-- the road to recovery. It's like a walk through Hell, barefoot, and back again. Obviously, it's hard to heal from having your innocence stolen. It's a thousand times harder when the person who should have loved you most and protected you with her life refuses to be who you needed her to be. The most helpful thing, I have found, is staying aware of what one DOES have, not what one DOES NOT have. Other than that, I can't speak as one who has finished with that part of recovery, because I haven't. I'd love to say I have-- but I can't.


8. One of the interesting ideas you illustrate in the book are how abusers and their co-conspirators can sometimes try and use religion as a way to cover up abuse. For instance, on p. 204, in reference to the sexual abuse perpetrated by Ashley's step dad Charlie, Cheryl (Ashley's mom), says "It's in the past, Ashley Nicole...You need to get over it and move on...Stop rehashing it." What's your advice to those who have been abused and are struggling with the religious concept of forgiveness? Does forgiveness mean you have to re-establish a relationship with the abuser?


Ah, another one I'm still working on…I do NOT think that forgiveness means reestablishing a relationship with the abuser or those who conspired with them. The closest thing I've come to understanding forgiveness in this situation is the realization that the people who mess up other people's lives through abuse did not, most likely, set out to do that. It's not like they woke up one day and said, "Hmm, I wonder how despicably I can act out today?" Other than that, I do not embrace the belief that, for example, one will only reach Heaven if one unconditionally forgives the person or people who stole her innocence, and, furthermore, I have a hard time picturing the Being I picture as Jesus, refusing entrance to His Kingdom if one has not forgiven one's rapist. That's F'd up thinking, IMO. I would think that those who use religion as a weapon of oppression and control would more likely be turned away from Heaven, assuming that sort of place actually exists.


9. One thing I have to compliment you on is that the characters in your book are so real and so three-dimensional. How did you go about creating some of the main characters in the book? Are any of the characters autobiographical in nature?


Thanks, Adam! It is said that all first-time authors write what is essentially an autobiography. But this is not my autobiography. I drew on my experiences as a survivor of childhood sexual abuse to create Ashley's character, and I pulled in my teacher-self to craft the character of Ashley's stepmom, Beverly. David, Ashley's father, is somewhat modeled after my husband, in terms of his physical description and occupation; although my husband has never been a hard-drinker, as David was before he gave it up. Other than that, the characters are either composites of people I've known, or figments of my imagination.


10. Do you have any parting words of wisdom you would like to give to sexual abuse survivors or abuse survivors in general?


Surround yourself with people who love you, are educated about what you're going through, and, please, find a competent, skilled therapist. Recovery from sexual abuse is too intense to go through on your own or with just self-help books. It's common to feel suicidal at some points-- don't give into those feelings, because they will pass, and you will again feel strong. You are stronger than you ever thought you could be. Think about what you've already endured; the fact that you are still walking the Earth is a testament to your potential for survival. And-- you are not alone. Don't ever forget that.


11. Are there any upcoming books you would like readers to know about?


The sequel, Hope in Patience, is complete and on submission to my agent, along with Courage in Patience. Hopefully, both books will land a publisher soon. Courage in Patience was originally released on 09/01/2008, but is now officially out-of-print since I had my rights reverted and the publisher, Kunati, Inc., went out of business. Used and new copies of Courage in Patience are available from private sellers on Amazon, Barnes & Noble, and other online resources. You can Google Courage in Patience to find copies for sale. Also, I have two websites:


http://www.bethfehlbaumya.com/ and http://courageinpatience.blogspot.com/

I love to hear from readers! E-mail me! beth@bethfehlbaum.com

Thanks, Adam! I enjoyed visiting with you!

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  • ""The consequences of your denial will be with you for a lifetime and will be passed down to the next generations. Break your Silence on Abuse!"

      — Patty Rase Hopson

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Beth Fehlbaum, Author

"I write fiction for young adults, although the fiction I write is rooted in truth. Even though I'm no longer a teenager, I still see the world through the lens of a teen, and that enables me to shine light on parts of life that some adults would prefer to keep hidden."

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